the sound of miami wmc 2007! celebrated us producer/dj john julius knight returns to the production forefront with his highly anticipated soulfuric trax ep trax for my head.it features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjks ability to create varied sounds to maximum effect. the cut rolls in as a captivating french kiss style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental only track. most likely the biggest surprise production wise, the rush is a laid back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with what is love jjk delivers a prime time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production.

nice vocal club track with this well known bassline includes remixes by eric smax & thomas gold and toolrooms mark knight a must have

you re still not taking yourself seriously.on the journey to discover new tracks you trip over a few disco-balls, find an irresistable melody, dance briefly with abba, are trapped by chic, free yourself and then also rob them/it (???) of a super-bassline. next you travel to the outskirts of berlin to dowse for / apply the divining rod to find fresh, unused talent. the discovery responds to the name c.l.i.c. and turns a discohymne into a little rave-monster. now add to the whole made-up story the fact that you leave the remixing to an old friend. he makes a >6am, the sun rising, tickling your nose and making you scream< track out of it. the name of the mysterious unknown: oliver koletzki. conclusion: you re still not taking yourself seriously. why should you? >fitzelkrtschbungbritzelbratzel< is just ruling everything. a counter-design is urgently needed. the world s serious enough

we are happy to welcome on this 5th release one of the most important argentinian producers, franco cinelli, well known for his recent album on alphahouse, played by the most important minimal das around the the globe.he is finally back on the young spanish label esperanza with a couple of tracks, accompanied by a mikael stavostrand remix.on the a side we have a funky course track, >antenna<, characterized by his typical fat and vibrating bassline, thin and cleverly placed hi-hat patterns and unexpected bubbling delayed bleeps.this is the perfect to change the gear of the dj set from a warmup session to a serious rockin party, thanx its energetic restart after a mid breaking pause.>oscilator one< on a 2 goes more hypnotic though mantaining a funk rate, thanks to a huge variety of cycling loops featuring a dubby bassline and an appreciable rhythmic pattern.on b side we have >antenna 2< wich is remixed with knowledge by the swedish artist mikael stravostrand, bringing it much percussive on start and effective in every kind dancefloor, all that enriched by an exceptinal vocal performance by big bully that definte lyx make it a true bomb to detonate in the right moment of the night

handclapping funky house with bubbling electro lines and big bassline. comes with a sleazy more electroid remix from coco machette s carlton banks

the last and 3rd part of the box jams remix series! alden tyrell s and mr pauli s little track get the remix treatment from s.y.d. deep driving disco with a massive bassline mixed with some house flavors. very nice. on the flip side two new tracks by mr pauli! 2 tracks who sound like they have been designed to blow your brain out. pure robo disco!. kind of i-f meets alden tyrell kind of thing... big

mr. cubanix brings it down laid back and smooth on hott steppa and breakthrough. nice bassline and rhodes combinations keep the overall sound quite loungey and upscale. it is on gosando however, that things get cookin with its harder tribal drums and oh so dark latin pianos. if you like quentin harris, jon cutler, the soulfuric sound, and jask, then this might be your speed.

danish duo djosos krost (music for dreams) known for their mix of nordic electronica and dub reggae rhythms get remixed by fellow danes def jaguar, who turn better place into a driving, bassline driven house track. on the flip parov stelar does a deep and dubby rework for straight up front

following the success of the you know remix of samuel l sessions velvet track that came out on elplast eyar we now have this very limited edition alex bau remix of the same track. alex does his thing to it by utilising all the main parts such as the pitch bend bassline and cool synth sounds but also adds his own dark techno menace to the proceedings

after the great start with matt caseli and sebastian krieg, here is the second release on new high quality house label sume music. this time it s soul flava teaming up with singer corey andrew to deliver an outstanding piece of house music. a groovy but electronic bassline and a nice piano hook join the beautiful voice of corey. next to the original mix and a noir dub edit, there are two smashing mixes by one of the most demanded remixers of the moment: eddie thoneick. he had huge success with his singles >love sensation< and >deeper love< and remixes for roger sanchez, bob sinclar & ben macklin, in the last few months

funked up soulful piece of house music with an excellent instrumentation great horns, nice percussions, a jazzy piano hook, disco strings and a groovy bassline that leaves no wishes left

nice price deal !!! rocking guitars in the background, phat pumping beats and a delicious bassline under a very catchy but non cheesy vocal performance on top! joseph armani delivers a huge vocal bomb. the jd davis and koster remix, both on second side, turn things into a more electro flavoured affair and make this bangin release complete

following the huge success of flat mode and huge-a, its newcomer ian ray with his first single. an electro-house smasher strictly made for the dancefloor! the groovy bassline, the catchy vocals and two outstanding breaks will make the crowd go crazy for sure. on the flip there is a more dubby remix by slice & case, who had recent success with their release >abgedreht<

dj support: chloe, james flavour, sven dohse.. !! what is control launches with a driving beat, followed by a dark vocalsample with a touch of malevolence, the pair shapes a distinct sound which should distinguish it from the mountain of minimal tracks out there. it s creepy, has an edge and there s enough vitality to keep hips moving on the floor with its funky bassline. >not my enemy< on the b-sides is a bit deeper and reduced. weird synth-lines and spooky vocal shreds are marking the break, before the track ignites with cascading snthesizer triplets. manic

das glows debut ep with support by para one. >cathedrale< is unashamedly epic, it comes from the heart and speaks to the brain and feet simultaneously. flip for weiss gaz, which is mostly electro, with shades of ghettotech, acid house accents, laser-guided snaps, and a huge bassline revving like a v8, and bits of musique concrète.then on b2, >vulcanice< is fresh, recorded in one take and built around hammond organ samples

kris menace, the man behind the multi seller discopolis on alan braxe’s label vulture is back with yet another strong emotional electronic dance tune. all ingredients that we love from kris music are there, a fat rounded deep bassline, superb romantic keys & synths, sure to bring dancers into magical moments of transe. produced by medway & glen l. presents eva builder , incl kris menace re-edit

disciple of groove is a fresh new label dedicated to the teachings of deep house, influenced by electro, nu disco, space atmospheric beats & cosmic grooves. for this superb debut they have called upon ilya santana already known for his work on balihu, airtight, permament vacation and dessous. hes been supported by artists and djs including daniel wang, linstrom, prins thomas, tiga, steve bug and more. there are 2 a side tracks, analogic mind and blackhole, both inspired by the analogical synthesis of the vintage systems, emphasising a powerful bassline of one of those legendary synths. trademark santana sounds with disco soundtrack nods to giorgio moroder, koto, kano, gaz nevada. the flip includes a remix by jl salvatella, a more straight up dancefloor cut and some bonus beats too

soulful house gem with strong male vocals a deep grooving bassline a quirky synth and a nice dreamy piano not to be missed

nice price deal !!! nice synth riffs and a massive bassline make this a real dancefloor bomb 2 great mixes to work with

dreamy progger with a spoken male vocal sample backed with a massive bassline and atmospheric synths

we are very proud to count with the swiss funkman >agnès< on our artist pool! the man as been quiet busy lately. and the gentleman is sure not showing up with empty hands on this one. he s dub vaults are made of dead funk actions, his ever deepness along with the today s needed modern club artillery. on the a side lays the floor killer >hi-murda<. a hypnotic and dubbed out beat that just rules and rolls, a massive bassline from beyond and the ever twisted micro vocals clips and other tiny detailed sounds that defines the clever boy s production skills... a trip on a groove roller coaster that simply devastates everything on its road

after his productions for labels like dial, num, traum, ladomat or liebe*detail denis karimani aka remute surprises the audience again with another unconventional masterpiece. between the essence of minimal and the deepness of detroit, >realtime island< can be regarded as the first smallville superhit. a detroitish chord sequence rises slowly up to explode but keeps its deep secret. karimani s best friend and ravemate ndru (liebe*detail, perspectiv) translates the unique musical language of the original into minimal- his remix got the kind of hypnotic bassline you might miss in the minimal world so often.. the 12inch ends with a classical karimani pumping deeptechno tune straight in your feet... played by anja schneider, mike shannon...

the best way to follow a classic, is with another classic. rebelone 08 does exactly that as the underground offshoot of crosstown rebels follows the incredible >porcupine< with a brand new >weasel<. >the weasel< produced by vinyl (as always, a well known producer in disguise, this time of german descent who had a massive underground tune this summer) is an instant dancefloor smash - with it s late night, twisted sounds, breakbeat-styled techno drums and deep as hell bassline, this one sided monster is ready to join the ranks of the other rebelone animal crackers

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

sucker djs, ben macklin & stretch sylvester debut on toolroom with the epic firework. a huge slice of bassline driven bliss topped off with the explosive vocals of tiger lily. mk & mtv team up again with a deep and twisted take on the original oozing with the duos trademark talent for that big room sound.the package is rounded off with a monstrous dub essential

we are very pleased to present the final volume in a fantastic remix series. a big thanks to all the dj’s around the world that supported all three releases.volume 3 presents three artists new to aesoteric, all of whom currently reside in barcelona in the coastal stronghold of catalunya. erikotanabe s cut up and chunked down post-minimal mix has been gaining lots of attention from all the heads from london to sydney. the love twizz (2 cheap tricks) mix from tres manos & garcy noise sets a pulsating bassline under lush strings, seductive vocals, and synth stabs

david keno has a growing reputaion as a fantastic producer. his own keno imprint started off in fantastic fashion with its first release and highly acclaimed someone else remix. this release follows in in fine style with a fine two tracker from the main man himself. the main a side track is a killer as it starts with its shuffled drum groove and tidy synth bassline. the track then builds ominously with its menacing strings before the big synth break makes the track complete. the flip side is also a worthy addition with its funky groove and cool percussion

soulful vocal number with a deep grooving funked up bassline includes 2 great mixes by rasmus faber not to be missed

a perfect example of ameszs fascinating take on house music. sidestepping the electrohouse clichÉs, the groove is low slung and funky and the bassline drives the track forward nicely. support from funk d void, john digweed and d.ramirez.fellow dutchmen, infinitize, step up admirably for remix duties, turning my favorite barbie into a slightly darker, more atmospheric track more suited to late night action than its counterpart.already getting plays on pete tongs friday night show

apendics.shuffle - one of the most occupied u.s. producers for minimal techno these days comes up with his 2nd release on mos ferry prod. >the sammy baker davis junior e.p.< is filled with 3 tracks on a 12<, all of them more or less straight but none of them is missing the shuffle factor. b1 has a very nice and a little bit freaky bassline...

phat dark rockin harder tech traxx... mateo murphy rmw with pumpin bassline a la laurent garnier s >crispy bacon<....hertz rmx is more for the tribal tech freaks , ben sims with is typical super groovin tech style , preach & marco g with modern electro techno

concrete dj s are a new force that we have added to the hardsignal imprint. there are team of 4 people who are making some of the most incredible hard techno. their track tengu that we have here has a nice firm kick with a great sub bass. we welcome patrick dsp and dj pauze back to hardsignal. coming back from great repercussions from their huge release on fine audio 45, patrick and pauze have created a nice techno stomper for us with a little bit of a different twist. great kick and bassline with a sample that is super catchy. we are proud to announce the return of primal to our label. he has taken a bit of a break off while in the studio recording some of his newest material

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

played by disco boys, steve lawler, oliver moldan… candy williams vs.whiteside is the project name of the latest release on milk &sugar recordings. behind candy williams there is the swiss dj whiteside. since more than 20 years he is on the road now in the swiss music scene..this soulful house tune is coming with a female soul voice,a funky bassline and cool trumpets.the package contrains a milk & sugar remix,a zen dub mix, the original & the peaktime dub version

inc. rmx by koletzki & meindl, another big name in 2006 sweden techno land definitely is Özgür can. complex rhythms with spheric overtones is what his definition of techno is all about.. pure club pleasure guaranteed! 84 shots works with a groovy percussion lick and epic bassline atmo – djs should hand out helmets when they put this on! on the flip the new german techno version of bud spencer & terrence hill: oliver koletzki & florian meindl known from releases on cocoon, balkon, stil vor talent or flash turn everything into their trademark sound! fascinating..

a smokin hot ep that starts with >believe it< with a funky ass bassline, chopped vocal samples and wickedkey stabs. on the flip we have >half steppin< a tougher groove with some nice guitar licks. dope! the last track >hustler< features some sick vocal snippets and a bassline that is sure to flex those subwoofers! each track is accompanied with it s own dj tool, how bout that

this dope 4 tracker starts off with homero espinosa (yerba buena) delivering the goods on >le one<. tight drums, a deep pulsating bassline and superb keys are the order of the day here. wicked! next up we have the 1200 warriors dropping a remix of >le one< that gives us a different take on the origianl with it s boompty funk and spoken vocal samples. on the flip we have those two badasses from indianapolis john larner & slater hogan coming correct with a nice deep funker that is sure to get the booties shakin on the dancefloor. last but not least we have dani deahl s >too hot to handle<, which is exactly what the title says, hot with its massive sub bass. 4 heaters on this one

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

three tracks on this single there is the slope remix of daniel maggs o bah, which with its delay loops offers something for the deeper moments on the dancefloor. apart from that theres two remixes of tracks taken from the last slope album komputa groove. while house grooves ruled on the first 12 to be taken from the slope is dope compilation, this new single is more about broken beats. charles websters remix of nothing like this feeling embeds ovasoul 7s vocals in a playfully distorted, grainy synthesizer arrangement which is driven on by a nervous snare. the want choo longa edit by bugz in the attic members daz i kue and afronaught goes even further beats with an afro touch and a typical bugz bassline makes for an absolutely compelling recipe

magik johnson (nrk, underwater) comes with groovy beats, a dirty bassline and catchy male vocals.. 20.20 visions phonogenic creates a micro techhouse remix with old school touch..

what a bassline!!! amazing support by dj hell, karotte, david guetta, etienne de crécy, arnaud rebotini, andrea doria, satoshi tomiie swen weber aka stormq is producing records since 2001 and also releases on f.t.w. recordings. scratch massive from paris (mbf records) add an amazing funky remix, while german dj and producer oliver moldan take it to the minimal side of things

side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

street slut is signature rektchordz bassline breaks. pete voyager of breakneck fame on remix duties. pete turns out a belter of a remix that has been being cained by jay cunning on his kiss fm show

next electrohouse smasher on mylo recordings produced by huge a (oxyd / juicy traxx / eyezcream uk). vocals like northern lite & bassline (dub mix) like dooms night (timo mass mix)... floorburner

slamming electro flavoured house bomb with strong female vocals and a well known deep grooving bassline a must have

supported by james zabiela, hernan cattaneo, mike monday, arthur baker, mylo, john digweed, gusgus and more

heres more of that exciting, dubby and trancy stuff alex krueger aka dub taylor. >schmidts cat< contains three parts which are based on the same idea in bassline and/or chordline. his mostly (digital/analog) hybridworking makes these tracks having a special warm sound

this is the sound of ark and krikor, original and most of all super funky. driven by crazy noises and syncopated, funked-up bassline, arks track >wagon< has got thath touch of prince class that will make you dance. his remix of >1968< turns krikors mad track into a great funk tune. krikors original version of >1968< is rough, edgy and funky with lyrics from romeros >night of the living dead<. his remix of >wagon< adds extra phatness and a great break, without loosing any of the originals funk